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\par 
\par }{\rtlch\fcs1 \ab\af0\afs28 \ltrch\fcs0 \cs15\b\fs28\insrsid3870334\charrsid11688690 The Pedestrian}{\rtlch\fcs1 \af0 \ltrch\fcs0 \insrsid3870334 \line By Ray Bradbury\line \line }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334 
To enter out into that silence that was the city at eight o'clock of a misty evening in November, to put your feet upon that buckling concrete walk, to step over grassy seams and make your way, hands in pockets, through the silences, that was what Mr}{
\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Leon
ard Mead most dearly loved to do. He would stand upon the corner of an intersection and peer down long moonlit avenues of sidewalk in four directions, deciding which way to go, but it really made no difference; he was alone in this world of 2053 A.D., or 
as good as alone, and with a final decision made, a path selected, he would stride off, sending patterns of frosty air before him like the smoke of a cigar.\line 
\par Sometimes he would walk for hours and miles and return only at midnight to his house. And on his wa
y he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows. Sudden gray phantoms seemed to manifest upon in
ner room walls where a curtain was still undrawn against the night, or there were whisperings and murmurs where a window in a tomb-like building was still open.\line Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 
\ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Leonard Mead would pause, cock his head, listen, look, and march on, his feet making no nois
e on the lumpy walk. For long ago he had wisely changed to sneakers when strolling at night, because the dogs in intermittent squads would parallel his journey with barkings if he wore hard heels, and lights might click on and faces appear and an entire s
treet be startled by the passing of a lone figure, himself, in the early November evening.\line 
\par On this particular evening he began his journey in a westerly direction, toward the hidden sea. There was a good crystal frost in the air; it cut the nose and made t
he lungs blaze like a Christmas tree inside; you could feel the cold light going on and off, all the branches filled with invisible snow. He listened to the faint push of his soft shoes through autumn leaves with satisfaction, and whistled a cold quiet wh
istle between his teeth, occasionally picking up a leaf as he passed, examining its skeletal pattern in the infrequent lamplights as he went on, smelling its rusty smell.\line 
\par 'Hello, in there,' he whispered to every house on every side as he moved. 'What's up tonight on Channel 4, Channel 7, Channel 9? Where are the cowboys rushing, and do I see the United States Cavalry over the next hill to the rescue?'\line 
\par The street was silent and long and empty, with only his shadow moving like the shadow of a hawk in mid-country. If he closed his eyes and stood very still, frozen, he could imagine himself upon the center of a plain, a wintry, windless 
{\*\xmlopen\xmlns2{\factoidname State}}{\*\xmlopen\xmlns2{\factoidname place}}Arizona{\*\xmlclose}{\*\xmlclose} desert with no house in a thousand miles, and only dry river beds, the street, for company.\line 
\par 'What is it now?' he asked the houses, noticing his wrist watch. Eight-thirty P.M.? Time for a dozen assorted murders? A quiz? A revue? A comedian falling off the stage?'\line 
\par Was that a murmur of laughter from within a moon-white house? He hesitated, but went on when nothin
g more happened. He stumbled over a particularly uneven section of sidewalk. The cement was vanishing under flowers and grass. In ten years of walking by night or day, for thousands of miles, he had never met another person walking, not one in all that ti
me.\line 
\par He came to a cloverleaf intersection which stood silent where two main highways crossed the town. During the day it was a thunderous surge of cars, the gas stations open, a great insect rustling and a ceaseless jockeying for position as the scarab-beet
les, a faint incense puttering from their exhausts, skimmed homeward to the far directions. But now these highways, too, were like streams in a dry season, all stone and bed and moon radiance.\line 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334 
\par 
\par 
\par 
\par 
\par 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334 He turned back on a side street, circling around toward 
his home. He was within a block of his destination when the lone car turned a corner quite suddenly and flashed a fierce white cone of light upon him. He stood entranced, not unlike a night moth, stunned by the illumination, and then drawn toward it.
\line A metallic voice called to him:\line 
\par 'Stand still. Stay where you are! Don't move!'\line 
\par He halted.\line 
\par 'Put up your hands!'\line 
\par 'But-' he said.\line 
\par 'Your hands up! Or we'll shoot!'\line 
\par The police, of course, but what a rare, incredible thing; in a city of three million, there was
 only one police car left, wasn't that correct? Ever since a year ago, 2052, the election year, the force had been cut down from three cars to one. Crime was ebbing; there was no need now for the police, save for this one lone car wandering and wandering 
the empty streets.\line 
\par 'Your name?' said the police car in a metallic whisper. He couldn't see the men in it for the bright light in his eyes.\line 
\par 'Leonard Mead,' he said.\line 
\par 'Speak up!'\line 
\par 'Leonard Mead!'\line 
\par Business or profession?'\line 
\par 'I guess you'd call me a writer.'\line 
\par No profession,' said the police car, as if talking to itself. The light held him fixed, like a museum specimen, needle thrust through chest.\line 
\par 'You might say that,' said Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Mead. \line 
\par He hadn't written in years. Magazines and books d
idn't sell anymore. Everything went on in the tomb-like houses at night now, he thought, continuing his fancy. The tombs, ill-lit by television light, where the people sat like the dead, the gray or multi-colored lights touching their faces, but never rea
lly touching them.\line 
\par 'No profession,' said the phonograph voice, hissing. 'What are you doing out?'\line 
\par 'Walking,' said Leonard Mead. \line 
\par 'Walking!' \line 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334 
\par 
\par 
\par 
\par 
\par 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334 'Just walking,' he said simply, but his face felt cold. \line 
\par 'Walking, just walking, walking?' \line 
\par 'Yes, sir.' \line 
\par 'Walking where? For what?' \line 
\par 'Walking for air. Walking to see.' \line 
\par 'Your address!'\line 
\par '{\*\xmlopen\xmlns2{\factoidname Street}}{\*\xmlopen\xmlns2{\factoidname address}}Eleven South Saint James Street{\*\xmlclose}{\*\xmlclose}.' \line 
\par 'And there is air in your house, you have an air conditioner, Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Mead?' \line 
\par Yes.' \line 
\par 'And you have a viewing screen in your house to see with?' \line 
\par 'No. \line 
\par 'No?' There was a crackling quiet that in itself was an accusation. \line 
\par 'Are you married, Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Mead?' \line 
\par 'No.'\line 
\par 'Not married,' said the police voice behind the fiery beam. The moon was high and dear among the stars and the houses were gray and silent. \line 
\par 'Nobody wanted me,' said Leonard Mead with a smile. \line 
\par 'Don't speak unless you're spoken to!' \line 
\par Leonard Mead waited in the cold night.\line 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334 'Just walking; Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334  Mead?' 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334 
\par 'Yes.'\line 
\par But you haven't explained for what purpose.'\line 
\par 'I explained; for air, and to see, and just to walk.'\line 
\par 'Have you done this often?'\line 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334 
\par 
\par 
\par 
\par 
\par 
\par }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334 Every night for years.'\line 
\par The police car sat in the center of the street with its radio throat faintly humming.\line 'Well, Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Mead', it said.\line 

\par ''Is that all?' he asked politely.\line 
\par 'Yes,' said the voice. 'Here.' There }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 was a sigh, a pop. The back door}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  of the police car sprang wide. 'Get in.'\line 
\par 'Wait a minute, 1 haven't done anything!'\line 
\par 'Get in.'\line 
\par 'I protest!'\line 
\par 'Mr}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 .}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334  Mead.'\line 
\par He walked like a man suddenly drunk. As he passed the front window of the car he looked in. As he had expected, there was no one in the front seat, no one in the car at all.\line 
\par 'Get in.'\line 
\par He put his hand to the door and peered into the back seat, which was a little cell, a little black jail with bars. It smelled of riveted steel. It smelled of harsh antiseptic; it smelled too clean and hard and metallic. There was nothing soft there.\line 

\par 'Now if you had a wife to give you an alibi}{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid5143136 ,' said the iron voice. 'But-'\line 
\par \lquote }{\rtlch\fcs1 \af0\afs23 \ltrch\fcs0 \fs23\insrsid3870334\charrsid3870334 Where are you taking me?'\line 
\par The car hesitated, or rather gave a faint whirring click, as if information, somewhere, was dropping card by punch- slotted card under electric eyes. 'To the Psychiatric Center for Research on Regressive Tendencies.'\line 
He got in. The door shut with a soft thud. The police car rolled through the night avenues, flashing its dim lights ahead.\line 
\par They passed one house on one street a moment later, one house in an entire city of houses that were dark, but this one particular house had all of its electric lights brightly lit, every window a l
oud yellow illumination, square and warm in the cool darkness.\line 
\par 'That's my house,' said Leonard Mead.\line 
\par No one answered him.\line 
\par The car moved down the empty riverbed streets and off away, leaving the empty streets with the empty sidewalks, and no sound and no motion all the rest of the chill November night.
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